film/tv

THE KOREAN ANTI-MEN MOVEMENT THAT INSPIRED ME TO REVISIT SPIKE LEE'S "CHI-RAQ"

DANIELLE DEADWYLER DELIVERS A NEXT-LEVEL PERFORMANCE IN NETFLIX’S "THE PIANO LESSON"

CAN WE TALK ABOUT "WICKED'S" WICKEDLY TALENTED COSTUME DESIGNER PAUL TAZEWELL, PLEASE?

CAN "MEET ME NEXT CHRISTMAS" CURE YOUR POST ELECTION BLUES FOR 90 MINS? PROBABLY.

ISSA RAE'S NEW COMEDY, "ONE OF THEM DAYS" ALREADY HAS MY MONEY

"THE CRAFT'S" ROCHELLE IS THE OG ODE TO BLACK GIRL MAGIC

AMAZON PRIME'S "HOUSE OF SPOILS" IS DELICIOUSLY HAUNTED HAUTE CUISINE

THERE'S A LESSON WE CAN ALL LEARN FROM "INDUSTRY'S" HARPER STERN

A24'S "THE FRONT ROOM" TESTED MY TOLERANCE FOR EXCREMENT (AND I'M MAD ABOUT IT)

ZOE KRAVITZ TAKES A BIG CREATIVE SWING WITH HER DIRECTORIAL DEBUT "BLINK TWICE"

"EMILY IN PARIS" S4 TRIES TO TACKLE #METOO. IT'S WHIMSICAL. AND IRRESPONSIBLE.

I GET SO EMOTIONAL WATCHING JORDAN PEELE FILMS.

DON'T SLEEP ON "JINGLE JANGLE: A CHRISTMAS JOURNEY" THIS HOLIDAY SEASON

IS THIS THE GOLDEN AGE OF BLACK ANIMATION?

"BELLE" IS A POWERFUL PERIOD DRAMA MADE FOR BLACK JANEITES (LIKE ME)

AN APPROPRIATELY UNHINGED RECAP OF "VELMA"

BLACK TO THE FUTURE PART II

"EVERYTHING EVERYWHERE ALL AT ONCE" SUCKER PUNCHED ME

DOES FX'S "KINDRED" DO OCTAVIA BUTLER DIRTY?